Avery & Co.Literary Visibility

Reviews

In Our Authors' Own Words

We could tell you we care about the books we take on. We'd rather let the authors tell you. Reviews shared with each author's permission.

Featured Author Reviews

"There is a particular kind of quiet that surrounds a small novel once its first season has passed. For a long time I assumed that quiet was simply the shape of the book's life. What Avery and her colleagues did was patient in a way I had not seen before. They did not translate the novel into a slogan. They did not ask me to become anyone else. They read it, then read it again, and slowly began placing it into the hands of the readers most likely to sit with it. A year later, the letters I receive still surprise me. Many of them begin, 'A friend told me about your book.' I know now who those friends are, and how carefully they were chosen."

Elena Ferrante

Author of The Lost Daughter

"Practical note, for anyone weighing this: they do the work, and they do it without theatre. My book is not an easy sell. It never has been. Most people who take it on end up trying to smooth its edges until it sounds like something else. Avery's team refused that entirely. They wrote about the novel as the novel is, plot, city, weather of the thing, and they wrote it in language that respected the reader. The result was straightforward. Readers arrived who had never previously bothered with a book of mine. They arrived with their own words for what they had found. That is the whole measure of it for me. Good, unshowy work, well delivered."

Thomas Pynchon

Author of Bleeding Edge

"I want to try to say this honestly, because I have not had many chances to. My novel came out a long time ago. It found a small, devoted readership and then, as these things do, went quiet. I had made a private peace with that. Writers learn to. So when Avery & Co. spoke about a revival, I braced for the usual language, launches, campaigns, momentum. None of it came. What came instead was a slow, careful reintroduction to readers who, it turned out, had been waiting without knowing it. The reprints followed. The letters followed. And something inside me that I had put away, some belief about the book's life, quietly returned. I am grateful, in a way I don't quite have the words for, that they treated an old book like a living one."

Kirsten Bakis

Author of Lives of the Monster Dogs

More From Our Authors

"Daniel checked in so consistently that I never once wondered what was happening with my campaign. As a debut author drowning in unknowns, that steadiness was worth as much as the results, and the results were lovely too."

Harriet Okafor

Author of The Lantern House

"Nonfiction is a hard road for visibility. Daniel found reading communities I didn't know existed, naturalists, coastal historians, slow-travel readers, and my book now circulates in exactly the circles it was written for."

Sam Delacroix

Author of Field Notes from a Vanishing Coast

"What I appreciated most was what they refused to do: no fake buzz, no gimmicks, no pressure to become someone I'm not online. They grew my readership in a way that felt like me. Eighteen months on, it's still growing."

Imogen Clarke

Author of The Sunday Correspondent

"I came to Avery & Co. exhausted from marketing myself. They gave me back the writing life I'd almost given up on."

Nathan Reyes

Author of The Cartographer of Small Rooms

"They read my novel before they said yes to me. That alone told me who I was working with."

Adaeze Nnamdi

Author of Bright Country

"The reports I get every quarter are actually readable, no jargon, no puffery, just honest numbers and honest recommendations."

Rowan McAllister

Author of The Kelp Forest

"My book earned a second life in year two. That doesn't happen by accident, and it didn't happen without them."

Lena Osterberg

Author of Winter Palace

"They treat every recommendation like a decision that matters. Because it does."

Deveraux Hall

Author of The Long Room

"The book club adoption programme they built for me still delivers new readers three years later."

Priyanka Shah

Author of House of Small Doors

"Not once did I feel oversold. Not once did I feel neglected. That balance is rare."

Callum Wright

Author of A Slow Country

"They understood my niche audience better than I did, and they were right about every one of them."

Bethany Kroll

Author of The Wildwood Almanac

"For a poet, a visibility partner who reads is everything. They read."

Idris Malone

Author of Ninth Symphony

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We'd Love to Earn Words Like These From You.

Every review above began with a single conversation about a book someone believed in.